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TNG Visual Effects - 3D Scanning Services

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A Holiday in Hollywood

Holidays in Hollywood. Is this possible? Does Hollywood stop at the Holidays to rejoice and celebrate, or do they just go on with business as usual?

laser scanner, lidar scan, 3d scan, train, christmas

Hollywood Parade

At TNG Visual Effects, we stay flexible. We would like to put everyone on holiday but it is Murphy’s law that our biggest project will call. We want to be available for your scanning needs all season. Therefore, everyone here at TNG is on standby. The silver lining is that we are ready for anything. We enjoy the holidays and are ready to go at a moments notice!

There are projects out there already slipping behind schedule that will keep on going right up to Christmas, close down for a day, and get right back to it. It is a shame, but that’s business – the entertainment business that keeps plowing straight ahead to get the content out and move onto the next project.

Whether it is films, TV (commercials and episodic’s), video game trailers, or cinematic’s, the projects keep striving to stay on schedule.

We are happy to help complete your 3D scanning needs fast and efficiently. There is always time for celebration and enjoying the season. So call us and we will get the scanners, reindeer, and red suits out and be there in the wink of an eye!

 

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tng vfx locations

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3D Scanning: Art or Science?

3d head scan low resolution to film resolution

Should we consider 3D scanning art, or science? It’s a great question because 3D scanning for visual effects remains a driving technological endeavor. Take a quick browse on YouTube and you’ll see laser scanners, structured light scanners, photo -based modeling, emerging technologies, and even the Kinect getting their fair share of air time. Much of the information shared is geared toward ensuring we have a good understanding of how to get the best out of these technologies. 3D scanning work is then followed up by stitching parts together as precisely as possible. This is all part of the technical process. It’s a science of knowing how to get the best out of your equipment.

The process is then turned over to modelers and sculptors who take the 3D scan to the next level. This is where the real artists’ eyes come in to play. A well-skilled or naturally talented artist will know how to take the digital scans and mold it to fill in any holes, smooth seams and make sure the 3D models look exactly like the talent or object in reference. Many pipelines call for the re-topology of the 3D model with quad polygons equipped with UV’s. There’s also a need to have edge loops set up on the lips and other high poly areas. Now the texture map artists take the high resolution photos and place them on the model to give them a flat, consistent look that represents the real look of the character or object. The finishing touches are usually done with Zbrush or Mud Box to add the very fine detail.

This is a process that creates a photorealistic representation of the character or object needed for that perfect VFX shot. Yet, the question still begs the answer… Is 3D scanning art or science? Consider the use of computers, software and 3D scanning equipment needed to get the results you want. Then, consider the artists who bring the 3D models to completion. Years of sketching, sculpting, schooling, training and learning how to apply their talents to software programs enabling them to inject just the right amount of everything needed to get the look we demand from them. They are digital artists. And therein lies the answer. 3D scanning is a delicate fusion of both art and science.

 

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Build It and We Will Come

Your Set, interiors and exteriors, 3d scan building, lidar scan

Movies, episodics, commercials and music videos are using more and more digital assets. Whether they are modeled, sculpted, or 3D scanned, we are seeing an increase in the need for more digital buildings, building extensions, rooms, caves and larger vehicles for a scene or action.

At TNG Visual Effects we bring our experience and ability to come in and get the job done as quickly as possible while still maintaining the quality our customers need. Our 3D scanning equipment is small and travels with us by ground or air as needed. Once we arrive on location we quickly survey the area, set up markers for reference and get to work.

In some cases if a set is torn down and you opt not to have a digital backup, you might be stuck recreating a digital version from photos which may not work. When 3D scanning for insurance purposes we do not process anything until you need it. This will save you both money and sleep. Let us know how we can help you with you next project.

 

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TNG North American Locations

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Light Them Up and Shoot: VFX Photos

Getting Ready for the Photo Shoot, Full size light for Body 3D Scanning Photo Shoot

Full Size Light for Body 3D Scanning Photo Shoot

When it comes to photography for 3D scanned digital assets, everyone has their own technique to get the job done. In the early phases of 3D scanning for VFX, photographs were looked upon as pictures purely for reference. As technology has advanced, and budgets have increased, high resolution photography now includes a much more extensive set up. This is necessary in order to obtain the best quality texture maps possible. There are many different cameras and lenses to choose from, although Canon and Nikon seem to be the most popular. Factors such as megapixels, dual memory cartridge units, and an array of other features are carefully weighed when considering the best equipment to use based on your market and other needs.

Lighting will make or break your photo. Here is another area where you must thoroughly define your needs. Considering the wide variety of umbrellas, soft boxes, and other choices, it may just make you dizzy. When shooting full bodies, we need even lighting that will accommodate a person up to 7 feet in height. Mylar materials with grids will allow you to capture a polarized photo, which will eliminate unwanted hot spots. Some companies will request ‘specular’ maps, which will call for the Photoshop experts or additional equipment. It can also be accomplished with one camera shooting through two lenses. You’ll need many test shots to help you find the best way to shoot.

We choose to shoot pictures in the raw format as well as jpeg. This gives us a chance to make corrections in the event the jpegs just aren’t cutting it. This (again) requires a Photoshop expert who knows how to get the best out of that format. The jpegs are also used as reference pictures for the contact sheet our customers will receive as they select their options of 3D scans to be completed.

The pipeline is key to getting what you need from the camera and a very good understanding what the project is calling for. The average photographer cannot jump into this type of work until they have a thorough understanding of terminology and the needs of Visual Effects.

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